detailed informationstable of contentsconversion into TECHNICS-formatGM-Userdrumkit at worktable of drum-editor

2.

So you'll use the USER DRUMKIT:

                        1. SEQUENCER - key
                        2. STEP - key
                        3. Track 10 select
                        4. available Drum-Kit in time 1 delete   (ERS-key)
                        5. KEYBOARD PERC - Key
                        6. PAGE - key
                        7. USER-KIT - key
                        8. SEQUENCER - key.
The song is playing now with the "User Drumkit".

So you'll start the DRUM EDITOR :
Start the song and stop it again, as soon as the drums begin to play!
                        1. SEQUENCER - key
                        2. EDIT - key
                        3. DRUM-EDIT - key
                        4. Track 10 select.
For snare data look at MNN 38,40 (seldom 28,31,37). For bass drum data look at MNN 35,36. Best position for the Snare is the MNN 38 (for the bass drum the MNN 36). Only there you have direct access to all further parameters.                       
So you will start the program " NOTE CHANGE ":
(for example we transmit the snare data from MNN 40 to MNN 38)
                         1. 2 x  SEQUENCER - key    (out and entrance)
                         2. EDIT - key
                         3. NOTE CHANGE - key
                         4. TRACK 10 adjust
                         5. LAST MEASURE  " 300 " adjust
                         6. TARGET NOTE: (40)   CHANGE TO: (38)  adjust
                                  7. OK - key.
At this position (MNN 38) all parameters of the snare (volume, panorama, reverb) can be changed per "Sound-Edit" (look at your TECHNICS-instructions). If your song is playing the snare at this position, you can insert the 6 Synth snares even by simply loading from the diskette.
Because the program " NOTE CHANGE " is such  a comfortable thing, I've added further snares and bass drums to the free MNN areas 12 to 25  and  95 to102 . This one can be used by " NOTE CHANGE " very easily. A further advantage: there are no parameters be exchanged, so you easily can go back to the original sound.
Tip: Sometimes the snare consists of  2 sounds, whereby the markings in 2 MNN's are absolutely identical (compares possibly with the MNN's 28.31.37).If you transmit one of them to a side-place (for example the MNN 26 is not occupied), you'll only hear the remaining snare. This one you can handle, as described already above.
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